Gala Sylwestrowa

Miejsce koncertu: Sala koncertowa FKWL

FANKE LYU (CHINY) – sopran
MARITA PAPARIZOU (GRECJA) – kontralt
TOMASZ KRZYSICA – tenor

Filharmonia Kameralna im. Witolda Lutosławskiego w Łomży
JAN MIŁOSZ ZARZYCKI – dyrygent

W programie m.in.: najpiękniejsze arie operowe i operetkowe oraz utwory J. Straussa

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FANKE LYU
Was born on 28 February 1997 in Beijing, China. She graduated with full marks from the Conservatory of Music in Milan Verdi. She is currently studying with Robert Cieśla, PhD supervisor at the Chopin University of Music in Poland. In April 2018 , she participated in the and she performed the role of the Norina in the opera „Don Pasquale „at the Conservatory of Music in Shenyang. In may 2019 ,she successfully held a solo recital at the Shenyang Conservatory of Music Concert Hall. In July 2022,she gave his graduation recital at the Verdi Concert Hall in Milan, Italy.
In September 2022, she won the second prize at the Paris International Talent Awards. In October 2022, she won the first prize in the aria category of the Russian International Vocal Performance Competition. In October 2022, she won the first prize in the Vocal Music Professional Group of the Second International Music Competition of „AVIS”. In October 2022, she won the second prize at the „European Star” International Vocal Competition in Paris, France. She Won the first prize of the 7th „GoodWin Art” International Music Competition in December 2022.
She has collaborated with the Venice Philharmonic Orchestra and the famous Italian conductor Marco Titotto many times, and held concerts in Venice and Treviso, Italy.

MARITA PAPARIZOU
Born in Greece, Marita Paparizou made her operatic debut in Genoa in the role of Onaro in the revival in modern times of Porpora’s «Arianna in Nasso». after winning the scholarship of the Alexandra Trianti Foundation from the Athens Megaron, in 1999.
Ever since she has collaborated with the Greek National Opera, singing many roles including the 3rd Lady in «Die Zauberflöte», Maddalena in «Rigoletto», Fenena in «Nabucco». Amastre in «Serse», the title role in «Orlando Furioso». Rosina in «Il Barbiere di Siviglia», Isabella in «L’Italiana in Algeri», Isolier in «Le Comte Ory» and the title role in «Carmen».
She has recorded for the Greek National Radio De Falla’s «El Amor Brujo» a part she sung again in the Thessalonica Megaron. She has also sung the role of Dido in Purcell’s «Dido and Aeneas» in Corfu and at the International Festivalof Horto Pelion.
She has been invited throughout Europe in many theatres such as the Opera of Monte Carlo to sing the title role in «Tancredi», and many Italian theatres such as Pisa. Livorno and Trento singing Arsace in «Semiramide». Her exceptional ability to sing coloratura roles, led her to sing Rossini again in Massy in the role of Isabella in «L’Italiana in Algeri» and Smeton in Bilbao next to June Anderson’s Anna Bolena. She has also sung the role of Circe in Gluck’s «Telemaco» in the revival of the work in modern times both in London (Sadler’s Wells) and in Athens (Herod Atticus Theatre), where her dramatic performance was compared to a Michael Cacoyannis heroine.
Nevertheless her voice was considered suitable to sing the role of Mary in Marseilles in «Der Fliegende Holländer», with A. Jordan, thus giving her the opportunity in the Greek National Opera to sing both roles of Jezibaba and the Foreign Princess n the same production of A. Dvorak’s «Rusalka»
In 2009 her Carmen debut in Larissa Greece gave her the award of «Production of the Year» by the Greek Society of Theatre and Music Critics.
As far as the Baroque repertoire is concerned she has collaborated with Maestro Antonio Florio and the Cappella della Pietà de’ Turchini in a series of concerts in Spain with works of Porpora, and with Maestro Claudio Scimone first in the Théâtre des Champs-Élysées, with the Ensemble Orchestral de Paris and afterwards in Athens Megaron and the Veneto Festival with I Solisti Veneti.
She has also performed with many orchestras such as the Oxford Philomusica, the London Philharmonia, the Royal Philharmonic, and the Cameristi della Scala in a Gala Evening with operas related to Greece.
A CD of her singing the role of Tauride in Händel’s «Arianna in Creta». with George Petrou and the Soloists of Patras, has already been released by MDG, with great critic acclaim winning many distinctions, including CHOC de la Musique, whereas her new profile CD has been released recently, again by MDG, with Claudio Scimone and Solisti Veneti, gaining excellent reviews and awards.
She has been invited to sing in opera concerts and oratorios including Verdi’s «Messa da Requiem», Mozart’s «Mass in C Minor», Bruckner’s «Te Deum», Haydn’s «Nelsonmesse», Rossini’s and Vivaldi’s «Stabat Mater» in London (Cadogan Hall and Queen Elizabeth’s Hall), Paris (Châtelet), Oxford, Geneva, Athens (next to Christopher Hogwood) and Thessalonica Concert Halls whereas she has been a frequent guest at the Patmos Festival of Religious Music, singing Bach’s cantatas and Negro Spirituals.
The exceptional flexibility of her voice allowed her to sing many works by modern composers such as Respighi, Boulez, Vrondos, Antoniou, Marangopoulos, Alice Kollias and many others.

TOMASZ KRZYSICA
Ukończył z wyróżnieniem Akademię Muzyczną w Gdańsku w klasie H. Mickiewiczówny. Jako student uczestniczył w krajowych i zagranicznych kursach mistrzowskich, m.in. u Fedory Barbieri, Rolanda Paneraia, Siegfrieda Lorentza i Ryszarda Karczykowskiego. Laureat Konkursu Sztuki Wokalnej im. Ady Sari w Nowym Sączu (III nagroda i Nagroda Specjalna, 1999), Międzynarodowego Konkursu Głosów Operowych „Rosetum” w Mediolanie (I nagroda, 2001) i Międzynarodowego Konkursu Wokalnego im. Stanisława Moniuszki w Warszawie (II nagroda i nagrody specjalne, 2001). Otrzymał „Premio Basiola”- nagrodę włoskiej krytyki muzycznej dla najciekawszej osobowości artystycznej włoskich konkursów wokalnych w 2001 roku. Debiutował partią Leńskiego w „Eugeniuszu Onieginie” w Operze Bałtyckiej, a i od 2000 roku związał się kontraktem z Warszawską Operą Kameralną, gdzie śpiewał pierwszoplanowe role: Tamina , Ferranda , Don Ottavia, Tytusa w operach W. A. Mozarta. Artysta odnosił sukcesy w krajach Europy , USA i wielokrotnie w Japonii . Tomasz Krzysica w 2014 roku rozpoczął działalność pedagogiczną w Akademii Sztuki w Szczecinie jako wykładowca śpiewu solowego.
Artysta posiada także szeroki repertuar oratoryjno-kantatowy, wykonując m.in. utwory Bacha, Mozarta i innych kompozytorów. Zaśpiewał w paryskim Théatre des Champs – Elysées i podczas Festiwalu w Nantes z towarzyszeniem Francuskiej Orkiestry Narodowej pod batutą Charlesa Dutoit, „Requiem” Mozarta – na Festiwalu w Saint-Denis z Filharmonikami Francuskimi pod dyrekcją Kurta Mazura. Artysta brał udział w prawykonaniu światowym „Magnificat” W.Kilara a także w serii koncertów z „Missa pro pace”. Tomasz Krzysica występuje regularnie w filharmoniach i w ramach najsłynniejszych polskich festiwali muzycznych. Muzykował z najwybitniejszymi dyrygentami : A.Witem, K.Kordem, J.Katlewiczem, Yuri Termikanovem, Paulem Mccreschem, J.Maksymiukiem, Rubenem Silvą ,W.Rodkiem, J.Kaspszykiem, Marcinem Nałęcz-Niesiołowskim, Janem Miłoszem Zarzyckim oraz śpiewakami :m.in. K. Ricciarelli , D.Hvorostowskim, C. Gallardo – Domas, V. Galouzinem, G.Grigorianem , U. Kryger, I. Kłosińską, I. Sobotką , Agnieszką Rehlis, A. Kruszewskim ,Jarosławem Brękiem.